Mike was draped over the laminate kitchen counter, on the phone as usual. A sacrifice. It hung from the centre of a stout pole, each end of which rested upon the calloused shoulder of a coolie; an ordinary Occidental chair with a foot-rest. The stretch of red dirt disappeared into a stretch of trees like Van Gogh’s painting. But it is the truth. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them.
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