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She did not wait, but grabbed up the lantern and slid into the passage, calling to them to hurry. McClintock will be tuning up the piano to-day. "You can no longer refuse to tell me the name of this youth's father, Aliva," he said. The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against.
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