She found herself in a phase of violent reaction against the suffrage movement, a phase greatly promoted by one of those unreasonable objections people of Ann Veronica’s temperament take at times—to the girl in the next cell to her own. Even when you've a knave to deal with, let your actions be plain, and above-board. “You love some one else?” he repeated. The first time, I overlooked the offence; but the second time, when I had planned to break open the house of his master, the fellow who visited you to-night,—Wood, the carpenter of Wych Street,—he betrayed me. A failure! She must write herself down a failure! At her age, with her ambitions, with her artistic temperament and creative instincts, she was yet to be denied all coherent means of expression.
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