Speedily recovering himself, however, he rejoined, with forced calmness, "You are mistaken, Sir. ‘Doesn’t she, Gerald?’ Gerald held up his hands. Dizzily, she grabbed at the mantel for support and, resting her head on her hands, paid no heed to a betraying sound behind her—until an unexpected arm encircled her. In the biological laboratory that was their invincible tone. For was not Gerald a gentleman? An Englishman, whose services any female—excluding her own self so idiote— would be very happy to have. It was painted in the early seventeenth century by a minor artist named DuPre. .
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