Wood, now more buxom and more gorgeously arrayed than ever,—as well as a young and beautiful female, in whom he was at no loss to recognise the carpenter's daughter. The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. He turned, and beheld Winifred. In after years, some pitying hand supplied the inscription, which ran thus— JACK SHEPPARD THE END. Ruth did not reply, but stared past the doctor, her eyes misty. She walked back to the car. “Come on in, Michelle.
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