She never questioned the motives of the characters; she had neither the ability nor the conceit for that; but she could and often did correct his lapses in colour. You don’t know, Anna, but when one is in danger one realizes that the— the other side of the line is Hell. Beauty doesn’t mean, never has meant, anything—anything at all but you. ‘Now you see why it is I no longer require the proof of which I have spoken.
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