" "Have you seen him?" asked Trenchard. Through an open door was a glimpse of the bathroom—a vision of luxury, out of which Annabel herself, in a wonderful dressing-gown and followed by a maid presently appeared. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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