When she released him he ran down the beach for a stick which he fetched and laid at her feet. ‘That I do not yet know. “Well, you know. Or I should say—’ ‘Eugenia,’ cut in Gerald grimly. 255 “You have a very talented son,” was her opening line. " "You are mocking me, Rowland. ” CONTENTS ANN VERONICA CHAPTER THE FIRST CHAPTER THE SECOND CHAPTER THE THIRD CHAPTER THE FOURTH CHAPTER THE FIFTH CHAPTER THE SIXTH CHAPTER THE SEVENTH CHAPTER THE EIGHTH CHAPTER THE NINTH CHAPTER THE TENTH CHAPTER THE ELEVENTH CHAPTER THE TWELFTH CHAPTER THE THIRTEENTH CHAPTER THE FOURTEENTH CHAPTER THE FIFTEENTH CHAPTER THE SIXTEENTH CHAPTER THE SEVENTEENTH ANN VERONICA CHAPTER THE FIRST ANN VERONICA TALKS TO HER FATHER Part 1 One Wednesday afternoon in late September, Ann Veronica Stanley came down from London in a state of solemn excitement and quite resolved to have things out with her father that very evening. Over an old crazy bedstead was thrown a squalid, patchwork counterpane; and upon the counterpane lay a black hood and scarf, a pair of bodice of the cumbrous form in vogue at the beginning of the last century, and some other articles of female attire. The sing-song girl rose and meekly pattered out of the office into the night. The struggle had dislodged the white wimple, which was evidently too large for her, and her black hair broke free, whirling like a whiplash about her head as her hands curled into fists, coming up to beat at his chest, her little teeth bared for attack. That was the glorious if bewildering truth. She had eaten them, murdered them routinely, and yet he loved her still. . She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. All four people moved a little nervously into the drawing-room, maintaining a sort of fluttered amiability of sound and movement.
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